Just several weeks ago in July, the classic Guns N’ Roses album Appetite For Destruction had its twentieth anniversary. There was a retrospective in Guitar World, and a cover story in Rolling Stone, and it brought back my first memory of when I heard that great album.
It was a day or so after I turned 16, and the album was being played in-between bands at a festival concert I went to in Hollywood. Welcome to the Jungle started slamming through the P.A. and I thought, Is this that band Guns N Roses? I remembered seeing the song title in an ad for the album. I also remember seeing the ad for the album, and without hearing their music, thought, Great, another band that’s all Aqua-Net and no talent like Poison, just what we need. But now as I was actually hearing them I thought, This is pretty good. Then It’s So Easy came on, and I didn’t even realize it was the same band because Axl Rose’s vocals sounded so different.

I finally got the album and agreed with what those in the know were saying before the band broke big: This is one of the best rock albums I’ve heard in years. It also gave rock and roll the good swift kick in the ass it needed, and not a minute too soon,
It wasn’t long before Guns N’ Roses became the biggest band in the world, and they hit at the right place and time. A lot of kids, like myself, were coming of age then, and here was an album that captured the angst, anxiety, and confusion that came with adolescence. Like many great rock albums, it was a soundtrack to our teenage years, and like AC / DC’s Back In Black, whether you liked hard rock and metal or couldn’t stand it, you probably had a copy of it because the music was too good to ignore.

It’s sad that Guns N’ Roses fell apart like they have, although back in the day the band was so volitle, out of control and drugged out, many wondered if they would live long enough to achieve long term success. Instead, the band imploded from too much too soon, and Axl’s egotistical, prima donna bullsh*t. Rose, the only remaining member, is desperately determined to out-do Appetite with the years in gestation Chinese Democracy album. But as talent manager Bernie Brillstein once pointed out, and it certainly fits in this case, the more you sit around and worry about staying hot, the more likely you’re going to get cold.
What made Appetite great was that the band didn’t over think everything and micro-manage every detail. As former GNR guitarist Slash told Guitar World, “Appetite was basically just an off-the-cuff recording. Guns were a club band, and like most first records from club bands, it was mostly made up of material that we had been playing onstage for a while. We were pretty rough around the edges and had virtually no studio experience. We went in there and threw the album together pretty quickly.”
As a result, they captured lightning in a bottle, not an easy thing to repeat. Yet as Slash told Rolling Stone, “When I was a kid, there were these be-with-you-forever albums that represented something in your life. Whether it was the background music of your childhood or your puberty or whatever – Dark Side of the Moon or Sticky Fingers or Aerosmith’s Rocks or Led Zeppelin IV. And we made one of those records, which is all I could ever have asked for. It gives me goose bumps. That’s something no one ever can take away from me.”