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December 2007 Archives

December 10, 2007

Spike TV's Video Game Awards Provide Some Interesting Results

So Spike TV’s 5th annual Video Game Awards show took place Friday night in Las Vegas and was televised two nights later. I had an opportunity to attend the show but the timing was bad and I couldn’t make it work. But truth be told, I was interested in seeing the VGA show live. I know it’s kind of tacky and overdone. I know the voting and winners can be a little suspect. And I was extremely curious to see what kind of crowd the VGA drew – where there real gamers or just pretty people that want to hobnob at a big event? – because when the presenters include “celebrities” from phony MTV reality shows, well, then you’re right to ask if the VGAs are for real gamers. But hey, gaming deserves its own award show, I suppose, and I give credit to Spike TV for pulling something together for five years running. And the 2007 VGAs sure were interesting. Read on for the winners:

Continue reading "Spike TV's Video Game Awards Provide Some Interesting Results" »

December 13, 2007

Indiana Jones 4: Legendary Poster Artist Drew Struzan Strikes Again

Even if you don’t know the name Drew Struzan, you know the man’s artwork. You’ve seen it on the posters for Star Wars, Harry Potter, The Thing, Back to the Future, Big Trouble in Little China, and hundreds more. Now Struzan’s latest art for the Indiana Jones and the Kingdom of the Crystal Skull campaign is all over the internet, and thank God filmmakers like Spielberg and Lucas still love hand drawn art, and have the clout to get it for their ad campaigns in an age when everyone’s gone Photoshop mad.

I’ve always loved movie poster art, and had to know who created my favorite ad campaigns. I found out many of them were done by Struzan, Bob Peak (who did the My Fair Lady, Superman and Apocalypse Now campaigns, to name a few), John Berkey (The Towering Inferno, the 1976 King Kong), Richard Amsel (Raiders of the Lost Ark), and Roger Kastel (Jaws), to name a few.

But pictures are indeed worth a thousand words, if not more, so hope you enjoy the poster art from Struzan, Berkey and Peak that I’ve posted below.

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Above: Drew Struzan's Star Wars campaign, is is reportedly George Lucas's favorite
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Above: Drew Struzan's artwork for the re-release of Blade Runner
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Above: Bob Peak's artwork for Apocalypse Now
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Above: John Berkey's art for the 1976 remake of King Kong
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Above: Roger Kastel's legendary art for Jaws


December 14, 2007

More Classic Movie Poster Art By Popular Demand

By popular demand, Tom's now brings you more incredible poster art, by some of the best illustrators who ever designed a movie campaign, for your viewing pleasure:

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Classic Star Wars art by the Hildebrandt Brothers

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Bob Peak art for Star Trek: The Motion Picture

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Bob Peak art for Star Trek III

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Bob Peak art for Excalibur

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The classic Raiders campaign by Richard Amsel

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John Berkey's poster for The Towering Inferno

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Attack of the 50 Foot Woman, an iconic B movie image created by Reynold Brown, who designed many monster movie campaigns for Universal

December 17, 2007

Great Poster Art For Schlocky Movies

Now for the last poster art entry, at least for now, I wanted to include some of my personal favorites, and me being a big B movie fan you know that means low budget schlock-fests. I could list innumerable posters I love the art for, and posters that are infinitely better than the movies themselves, but here’s a small handful you should hopefully enjoy:

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Probably the rarest B movie artifact there is. Posters for old Roger Corman movies are going for big bucks these days, but they’re probably not as hard to find as the Ed Wood “classic.” Have no idea what they’re going for now, but I remember about ten years ago, if you could find one, a Plan 9 went for about $2,000.

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One of my all-time favorite low budget classics, the Plan 9 of the ‘70’s, with great comic art from the late Gray Morrow.

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Another late night classic, usually played on Channel 13 in L.A. at 2:30 in the morning. Here’s a rare poster of the 3-D version (!), which was also in 70mm (!!!).

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Here's the poster for the infamous blaxploitation classic, featuring foul mouthed night club comedian Rudy Ray Moore.

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This is more along the lines of big budget schlock, when mother nature runs amok movies were popular in the ‘70’s. Great artwork from John Berkey, but the original painting got stolen (anyone seen it on EBay?).

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How could a poster like this NOT bring people into the theater? It opened on a double bill with Martin Scorsese’s Boxcar Bertha.

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Hilarious poster art like this often makes great t-shirt designs.

New Trailer for "The Dark Knight" Available Online

Weekend movie-goers who attended Will Smith's "I Am Legend" - and there were a lot of them resulting in an approximate take of $76.5 million - were treated to the new trailer for next summer's sequel to "Batman Begins" titled "The Dark Knight". If you were lucky enough to see "I Am Legend" in an IMAX theater you may have even caught the extended preview that includes the first seven minutes of the film.

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Most, if not all, of the marketing for "The Dark Knight" has been of the "viral" variety utilizing a slew of websites supposedly put up by the Joker. The most recent can be found at atasteforthetheatrical.com which teased the appearance of a downloadable high-definition version of the new trailer to hit Sunday. Bootleg versions of the trailer circulated YouTube and other internet video hotspots despite Warner Bros best efforts to get them pulled, but the quality was poor at best.

I'm a big fan of "Batman Begins" and from the looks of this new trailer "The Dark Knight" will take the viscious Batman from the first film and pit him head-to-head with a more phychotic Joker played by Heath Ledger - some might say a welcome new portrayal when compared to Nicholson's almost cartoon version from 1989.

See for yourself by clicking here.

“I Am Legend” Has a Monster Opening Weekend

Looks like Will Smith’s ability to generate box office gold hasn’t diminished at all. His new movie “I Am Legend” grossed nearly $77 million in the U.S. for its first weekend. In fact, “Legend” set a new record for December box office openings, beating the previous best set by “The Lord of the Rings: Return of the King.”

And as if that wasn’t enough, “Legend” represents a new personal best for Smith, marking the highest opening weekend for the actor. That’s pretty remarkable when you consider the string of hits Smith has under his belt, from “Independence Day” and “Men in Black” to “Bad Boys” and “I, Robot.” Having reviewed the movie quite favorably for Tom’s Games and seen it twice in less than a week, I can see how this “I Am Legend” would be successful at the box office.

But the odd thing about this movie is that it’s not a traditional Will Smith vehicle. It’s an eerie, character-driven film that features a different kind of character than Smith is used to playing. Instead of being a charismatic, wise-cracking hero with gusto to boot, Smith plays Dr. Robert Neville as lonely, psychologically damaged survivor full of remorse. I can safely say that this is one of Smith’s best performances, and I’ve rarely seen this kind of powerful acting in an action/horror/science fiction movie.

As I stated in my review, fans of Richard Matheson’s novel I Am Legend will probably be disappointing that this movie isn’t a more faithful adaptation of the book (which has a great twist that’s entirely absent in the movie). Still, the direction by Francis Lawrence (“Constantine”) and the visual effects of a deserted New York City create a chilling atmosphere with plenty of suspenseful and even terrifying moments. And Smith is simply fantastic.

December 18, 2007

Peter Jackson to Produce Two Films Based on "The Hobbit" for 2009

It was announced today that Peter Jackson and New Line Cinema have ended their long-running feud and signed an agreement to produce two films based on J.R.R. Tolkien's book "The Hobbit" originally released in 1937.

Jackson and New Line have waged a very public battle in recent years over a discrepancy about money owed to Peter Jackson from the Lord of the Rings films and this battle all but killed Jackson's involvement with a Hobbit film. The disagreement was getting so severe that New Line executives were working out how they could get a Hobbit film made quickly while they still held control over it almost out of spite.

Now, it's important to note that today's press release states that Jackson and Fran Walsh will act as Executive Producers for the films. It doesn't say anything about writing or directing so don't think of this as "Peter Jackson's The Hobbit" quite yet.

I know there're a lot of people who really want to see this get made but I'm not so sure this is a book with "movie gold" written on it. Here's the thing about "The Hobbit". Who are the main characters? Well there's the titular character Bilbo Baggins obviously, but who makes up his traveling party? Thir...teen...dwarves. That's right. Remember Gimli from the LOTR movies that everyone disliked? Thirteen of him. What's even worse is that many of their names rhyme and they all look similar save for their different color hoods.

Then there's the story. "The Hobbit" is really a collection of vignettes. Sure there's a goal at the end - the dwarves are traveling to The Lonely Mountain to reclaim treasure from the dragon Smaug - but most of the story is made up of...well...in gamers' terms they're called "side quests." They don't really connect very well. That doesn't mean you can't make a good film out of it - "Apocalypse Now" works the same way - but it's already difficult enough to get fantasy movies to work without segmented stories.

Don't get me wrong, I want to see Smaug's attack on Lake-town and the Battle of Five Armies as much as the next guy but this is a very different book than that of "The Lord of the Rings Trilogy". With that in mind however, you can expect New Line to tie this back to the LOTR films every chance they get. For all intents and purposes these films are prequels and it wouldn't surprise me to see the bits regarding the "Necromancer in the East" from the book fleshed out for the films.

Here's the press release in full.

Los Angeles, CA (Tuesday, December 18, 2007) Academy Award-winning filmmaker Peter Jackson; Harry Sloan, Chairman and CEO, Metro-Goldwyn-Mayer Studios Inc. (MGM); Bob Shaye and Michael Lynne, Co-Chairmen and Co-CEOs of New Line Cinema have jointly announced today that they have entered into the following series of agreements:

* MGM and New Line will co-finance and co-distribute two films, “The Hobbit” and a sequel to “The Hobbit.” New Line will distribute in North America and MGM will distribute internationally.

* Peter Jackson and Fran Walsh will serve as Executive Producers of two films based on “The Hobbit.” New Line will manage the production of the films, which will be shot simultaneously.
* Peter Jackson and New Line have settled all litigation relating to the “Lord of the Rings” (LOTR) Trilogy.

Said Peter Jackson, “I’m very pleased that we’ve been able to put our differences behind us, so that we may begin a new chapter with our old friends at New Line. ‘The Lord of the Rings’ is a legacy we proudly share with Bob and Michael, and together, we share that legacy with millions of loyal fans all over the world. We are delighted to continue our journey through Middle Earth. I also want to thank Harry Sloan and our new friends at MGM for helping us find the common ground necessary to continue that journey.”

“Peter Jackson has proven himself as the filmmaker who can bring the extraordinary imagination of Tolkien to life and we full heartedly agree with the fans worldwide who know he should be making ‘The Hobbit,’” said Sloan, MGM’s Chairman and CEO. "Now that we are all in agreement on 'The Hobbit,' we can focus on assembling the production team that will capture this phenomenal tale on film."

Bob Shaye, New Line Co-Chairman and Co-CEO comments, “We are very pleased we have been able to resolve our differences, and that Peter and Fran will be actively and creatively involved with ‘The Hobbit’ movies. We know they will bring the same passion, care and talent to these films that they so ably accomplished with ‘The Lord of the Rings’ Trilogy.”

“Peter is a visionary filmmaker, and he broke new ground with ‘The Lord of the Rings,’” notes Michael Lynne, New Line Co-Chairman and Co-CEO. “We’re delighted he’s back for ‘The Hobbit’ films and that the Tolkien saga will continue with his imprint. We greatly appreciate the efforts of Harry Sloan, who has been instrumental in helping us reach our new accord.”

The two “Hobbit” films – “The Hobbit” and its sequel – are scheduled to be shot simultaneously, with pre-production beginning as soon as possible. Principal photography is tentatively set for a 2009 start, with the intention of “The Hobbit” release slated for 2010 and its sequel the following year, in 2011.

The Oscar-winning, critically-acclaimed LOTR Trilogy grossed nearly $3 billion worldwide at the box-office. In 2003, “Return of the King” swept the Academy Awards, winning all of the eleven categories in which it was nominated, including Best Picture – the first ever Best Picture win for a fantasy film. The Trilogy’s production was also unprecedented at the time.

December 21, 2007

The Legend of I Am Legend

In a previous blog, I wrote about movies that were “in development” that often take forever to reach the screen, if they ever make it at all. For many years, the third big screen adaptation of I Am Legend was one such project. The film, starring Will Smith, which is currently burning up the box office, has been in the works since at least 1996, and many people today don’t know it’s already been made into a movie twice.
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Legend, a short-story written by Richard Matheson, is about a bacteria that wipes out most of the planet, except for one lone man, who must battle against hideous creatures of the night that were created by the plague. The creatures are vampires, but they’ve clearly provided the blue-print for George Romero’s zombies. Reading Legend, you can imagine Romero’s brand of undead acting out the story in your mind.
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Above: Richard Matheson

Matheson’s biography could also be called I Am Legend, especially among horror and sci-fi fans. He wrote many of the best Twilight Zone episodes, as well as The Incredible Shrinking Man, Duel, Somewhere In Time, and many other classic tales.

The inspiration for I Am Legend came when Matheson saw Dracula at the age of sixteen. “When I left the theater, I thought, Gee, one vampire is scary…what if the whole world was full of vampires?” He didn’t get around to writing the story until 1952, and it was published as a short story in 1954.

Matheson tries to put himself in the position of the main character of all his stories, and he placed I Am Legend in the tract-housing neighborhood he lived in at the time in Gardenia, California. A horror story is often much scarier when it could happen in any residential neighborhood, or to any ordinary person, and it’s a rule many successful horror stories have followed since.

Several years after Legend was published, Matheson was contacted by Hammer Films, the classy British horror studio. Matheson flew to England, and wrote his own script adaptation. Hammer had just done their versions of Frankenstein and Dracula, which starred Christopher Lee and Peter Cushing. Both were bloody films in their day, and when Hammer submitted the script for Legend to the British censors, they replied “Absolutely not!,” and the studio realized they wouldn’t be able to make the film in their native land.
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Hammer then sold the script to a producer in Hollywood. Matheson wasn’t pleased with the finished film, The Last Man on Earth, which starred Vincent Price, but he was also told if he took his name off the film he wouldn’t get residuals. “I had four children, and I couldn’t afford that, so I invented a pen name: Logan Swanson.”

Yet if you go back and watch Last Man on Earth today, it’s a pretty spooky black and white film, and Price does a fine acting job. You also can’t help but notice strong similarities to Night of the Living Dead, which came four years later, and as Matheson jokes, “It was as close to the book as anyone will ever get except for Night of the Living Dead!”

In 1971 came the next big-screen adaptation, The Omega Man, which is now a camp classic starring Charlton Heston at his hammy best. Before The Omega Man, Matheson tried to get another adaptation of the story going with Hammer, who wanted the movie to stay close to the original story. Dan Curtis, the producer of the classic horror shows Dark Shadows and Kolchak The Night Stalker, was also interested in making a version of Legend that was faithful to the book.

The problem was the rights got mixed up when Hammer sold the script way back when. The rights for the script were owned by one business entity, the rights to the story by another. Once The Omega Man was up and running, Matheson wasn’t even told about it, but it didn’t matter. The finished film was so ridiculous, and so far removed from the story, “it didn’t even bother me because nobody would even recognize it.”

Then Legend was considered to be remade in 1996, this time as a vehicle for Arnold Schwarzenegger, with Ridley Scott directing. “The script wasn’t bad,” said Matheson, “It just wasn’t my book. But I’m sure Ridley would have done a great job, he’s a brilliant director.” This version of Legend was shut down because it would have been too costly to make.

Before the current version with Will Smith was finally ready to go, Matheson, who’s now eighty-one years old, joked, “In my lifetime I assume they’ll make it two or three more times.” He also wondered at the time whether Legend “would work as a film nowadays with everything that’s been done. It’s been done so many times, the book may be passé now.” Yet as the success of the latest version proves, the idea of being the last person alive on a lonely, dangerous planet still hits a nerve after all this time.

About December 2007

This page contains all entries posted to Fringe Drinking in December 2007. They are listed from oldest to newest.

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